Noseoil
Well-Known Member
At my age, this tweeter conversation is a moot point. My "tweeters" are constantly running due to machinery & shooting...
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Yep! Mine is being a track side Indy Car official for 22 years...too many screaming race engines..At my age, this tweeter conversation is a moot point. My "tweeters" are constantly running due to machinery & shooting...
But they recommended the kicker key which has a mic and can adjust and delay not saying separates aren’t the best route but you can make the coax sound great with the right equipment and tuningI would never recommend installing coaxials in the doors and then leaving tweeters in the pillars. If that's what Crutchfield told you to do, that's just plain bad advice.
What happens is you have two drivers producing short wavelength sound at the same time which interferes with each other as they get to be different distances from your ears. And it gets worse at higher frequencies.
The effect is called comb filtering. And your effective frequency response in the range where both tweeters operate will look something like this:
Move your ears a couple inches and the peaks ad valleys move to different frequencies.
So in summary, if you want new speakers up front get separates and work out a way to replace the tweeter in the pillar with the new one. One tweeter per side is the only way to do it.
I've done my share of loud stuff over the years, rock concerts, racing motorcycles and so on. But I've always used the best hearing protection. 34 NRR foam plugs for noise intensive tasks, and musician's earplugs for concerts. I tend to be pretty protective of my hearing. In a former life I used to design speakers.I agree on the hearing issue. Years of Diesel engine noise and motorcycle riding has ruined my hearing so that i don't know what sounds good anymore. I'm afraid to change any speakers, Ha Ha.
The problem with coax up front is that (assuming the pillar tweeters are disabled and comb filtering isn't an issue) the image and soundstage tend to sit at the height of the tweeters.But they recommended the kicker key which has a mic and can adjust and delay not saying separates aren’t the best route but you can make the coax sound great with the right equipment and tuning
we have a 2019 XL and im a little disappointed in the bass. the music is crisp but i just dont feel the bass like i do in my other recent stock vehicles at roughly the same volume, regardless of EQ tweaks or source.I am running the Powerbass components in the front & the coaxials in the rear.
According to Crutchfield both the supercab & supercrew have the same size speakers.we have a 2019 XL and im a little disappointed in the bass. the music is crisp but i just dont feel the bass like i do in my other recent stock vehicles at roughly the same volume, regardless of EQ tweaks or source.
i have no interest in adding a sub, but would a drop-in option like this powerbass speaker improve the bass experience, or would it be a lot of money with no significant improvement?
btw: is the speaker system on non b&o audio systems the same between the supercrew and supercab? (ie- if people say it fits, will it fit both of the cab types? most people have a supercrew and i want to be sure it would actually work on our truck)
I came across this post today. Thanks to Zaph on the explanation of the Comb filtering effect. Given that the Comb effect is caused by the combination of the same identical signals arriving at the listener at different time, how can one avoid it in a real world environment such as inside of a car? Even if you have a single sound source (e.g. single tweeter), you will have the same sound bouncing off multiple surfaces such as dash, windshield, door, etc. that will arrive at the listener at different times. There is no practical way to avoid the Comb effect in a car. Perhaps what Crutchfield recommended to the OP (post #1) is not that crazy in my opinion. I don’t claim to be an expert sound engineer...just my 2 cents.I would never recommend installing coaxials in the doors and then leaving tweeters in the pillars. If that's what Crutchfield told you to do, that's just plain bad advice.
What happens is you have two drivers producing short wavelength sound at the same time which interferes with each other as they get to be different distances from your ears. And it gets worse at higher frequencies.
The effect is called comb filtering. And your effective frequency response in the range where both tweeters operate will look something like this:
Move your ears a couple inches and the peaks ad valleys move to different frequencies.
So in summary, if you want new speakers up front get separates and work out a way to replace the tweeter in the pillar with the new one. One tweeter per side is the only way to do it.
Comb filtering generally happens with two active drivers reproducing a higher frequency range with short wavelengths, not a single driver with reflections.I came across this post today. Thanks to Zaph on the explanation of the Comb filtering effect. Given that the Comb effect is caused by the combination of the same identical signals arriving at the listener at different time, how can one avoid it in a real world environment such as inside of a car? Even if you have a single sound source (e.g. single tweeter), you will have the same sound bouncing off multiple surfaces such as dash, windshield, door, etc. that will arrive at the listener at different times. There is no practical way to avoid the Comb effect in a car. Perhaps what Crutchfield recommended to the OP (post #1) is not that crazy in my opinion. I don’t claim to be an expert sound engineer...just my 2 cents.